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He squared his shoulders and held out his hand. The pointer came down with all the strength that the man dared put behind it. Johnston peered closely into the boy's face. It was white and quivering but it still wore a smile.,

"Oh, my dear, don't say that. I am quite sure that if you will play, Mr Lawrence will afterwards sing, and I shall be charmed to hear you, sir, for I recollect your sweet and powerful voice both here and at your father's.",

"Did it, Billy, did it? And is my face turned towards it now, Billy?",

"And then she says, frowning as though she'd up with a knife off the tray and run it into me, 'What have you got there?' 'Your dinner, your ledyship,' says I. 'Put it down upon the floor!' says she in a sort of shriek, as if she was trying to sing. 'Don't you see I'm in tatters? They've got me here who am a princess at home, and these are my rags and all I've got,' says she, spreading her dress with her hands as though she was goin' to skip. 'Beggars[Pg 266] in rags feed on the floor: they feed so. Anywhere's good enough for them. I've seen 'em sitting on the edge of ditches eating. Put the food on the floor! That's how princesses in tatters dine.' I did as I was ordered, your honour, and came away."

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She flashed her hands to her forehead, sobs seemed to shake her, she turned on her heel and went to the big stern window, and looked out upon the sea.,

So you'd better be up and away!,

The picture was tender and mellow with colour: the springing lights of the early growths of the young year, the venerable face of the cliff as it swept from the slope of down where the windmill was to the beach, the slow motion of violet shadows over green distances;[Pg 12] and the impression of placid provincial life was heightened by the calm in the air which was scarcely vexed by the remote silver ringing of a chapel bell in High Street, Old Harbour Town.,

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.